One colour photograph of a clock, standing on a wooden table in front of a painted background. Notes on the back state it is a clock belonging to Blaikie's family. Image 55 in P. Taylor's book is of an identical clock, labelled as a gift from Louis XVI to Thomas Blaikie. (Box 3)

Colour photograph of a marble bust of Marie Antionette, on a black plinth and standing on a wooden table in front of a painted background. Believed to be a sculpture which belonged to the Blaikie family. (Box 3)

The 28 photographs in this series, taken by Pietro Guidi in San Remo, Italy, in the 1870s formed part of the Photographic Flora of San Remo, supervised by local pharmacist Francesco Panizzi. Each photograph has a Latin name, locality and a flowering time and som are hand coloured.

Portrait of Jacques Balmat wearing a navy jacket and purple waistcoat in a circular, ageing stone frame; beneath is an old ledge under which is a old, cracked, inscribed tablet supported by two wooden bars; an axe and a broken spear cross each other beneath the portrait; foliage grows around the whole structure. Source: British Museum collection, where additional copies are held. https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3308021&partId=1&searchText=Balma&page=1
(Box 3)

Monochrome print of Louis XVI, Queen Marie Antoinette and Louis XVII (the Dauphin), pictured in a circular frame above a marble stand containing a vase and various plants. The picture itself has been cut from a larger image and mounted on another piece of paper. The picture is in a black and gold painted wooden frame with a glass panel.
A similar copy of the portrait is held at the British Museum: https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3523963&partId=1&searchText=Louis+seize&page=1
(Box 4)

Print of Marie-Anne Charlotte Corday entitled, 'Marie Anne Charlotte Corday, ci-devat Darmans Agée de 25 ans'. Portrait of Charlotte Corday, half-length, sitting at desk in her cell, holding a letter to her parents; in circle, with below a small figurative scene showing her assassinating Marat in his bath-tub. The portrait is in a black and gold painted wooden frame with a glass panel.
Another copy is held in the British Museum collection: https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3599824&partId=1&searchText=Massol&page=1
(Box 4)

Portrait of Michel Gabriel Pacard in a circular frame; beneath is a ledge on which is an engraved plaque; beneath this is a picture with a view of Mont Blanc in a gold frame; foliage and pink ribbon decorate the structure.
Etching with hand-colouring. Source: British Museum collection, where copies of this portrait are also held. https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3308005&partId=1&searchText=Pacard&images=true&page=1
(Box 3)

1 manuscript. Handwritten. Photocopy. Annotations in pencil.

[TITLE] The Fern Flora of Madeira
no author listed but written in J.D. Lovis' handwritting.

[written in red ink in top right corner] Prof. I. Manton

One green vellum bound notebook containing accounts for customers arranged by surname. A number of pages have been removed. The earliest entry is January 1789 and latest is June 1822.

Contains a loose handwritten note compiled in 2003 detailing the missing pages and method of their removal and noting that it was faxed to Pat Taylor. (Box 2)

The collection dates between 1769 and c2003 and comprises:

• 3 notebooks including financial records, language studies and diaries;
• 17 pieces of correspondence and handwritten notes;
• a printed compendium of Swiss flora;
• a copy of John Bunyan’s Pilgrim’s Progress;
• 4 prints of notable 18th century French figures; and
• two photographs of items which belonged to Blaikie's family.