Showing 28 results

Vellum bound notebook including notes of French lessons, lists of accounts, housekeeping expenses and an account of events from 1781 to 1792. (Box 1)

Diary covering the period 1775 to 1781 including an account of a collecting trip in the Swiss Alps and a list of plants collected and sent to Fothergill and Pitcairn from Bourdigny in November 1775. The first page has been cut out.

Contains a loose and undated handwritten note in English and French on particular dates and points in Blaikie's life including residence, age and date of death. (Box 1)

One green vellum bound notebook containing accounts for customers arranged by surname. A number of pages have been removed. The earliest entry is January 1789 and latest is June 1822.

Contains a loose handwritten note compiled in 2003 detailing the missing pages and method of their removal and noting that it was faxed to Pat Taylor. (Box 2)

Third edition of The Pilgrim’s Progress by John Bunyan, published 1775. Inscribed with the names John Murray and Thomas Blaikie on the frontispiece. (Box 2)

Portrait of Michel Gabriel Pacard in a circular frame; beneath is a ledge on which is an engraved plaque; beneath this is a picture with a view of Mont Blanc in a gold frame; foliage and pink ribbon decorate the structure.
Etching with hand-colouring. Source: British Museum collection, where copies of this portrait are also held. https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3308005&partId=1&searchText=Pacard&images=true&page=1
(Box 3)

Print of Marie-Anne Charlotte Corday entitled, 'Marie Anne Charlotte Corday, ci-devat Darmans Agée de 25 ans'. Portrait of Charlotte Corday, half-length, sitting at desk in her cell, holding a letter to her parents; in circle, with below a small figurative scene showing her assassinating Marat in his bath-tub. The portrait is in a black and gold painted wooden frame with a glass panel.
Another copy is held in the British Museum collection: https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3599824&partId=1&searchText=Massol&page=1
(Box 4)

Monochrome print of Louis XVI, Queen Marie Antoinette and Louis XVII (the Dauphin), pictured in a circular frame above a marble stand containing a vase and various plants. The picture itself has been cut from a larger image and mounted on another piece of paper. The picture is in a black and gold painted wooden frame with a glass panel.
A similar copy of the portrait is held at the British Museum: https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3523963&partId=1&searchText=Louis+seize&page=1
(Box 4)

Portrait of Jacques Balmat wearing a navy jacket and purple waistcoat in a circular, ageing stone frame; beneath is an old ledge under which is a old, cracked, inscribed tablet supported by two wooden bars; an axe and a broken spear cross each other beneath the portrait; foliage grows around the whole structure. Source: British Museum collection, where additional copies are held. https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3308021&partId=1&searchText=Balma&page=1
(Box 3)

Colour photograph of a marble bust of Marie Antionette, on a black plinth and standing on a wooden table in front of a painted background. Believed to be a sculpture which belonged to the Blaikie family. (Box 3)

One colour photograph of a clock, standing on a wooden table in front of a painted background. Notes on the back state it is a clock belonging to Blaikie's family. Image 55 in P. Taylor's book is of an identical clock, labelled as a gift from Louis XVI to Thomas Blaikie. (Box 3)