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Describes being somewhere very remote, like Eden. It takes 9 days to reach an outpost where letters can arrive. Hopes this Arcadian state will continue and glad he is alone, writes negatively about Jumps's [Euan H.M. Cox's] presence when he was in camp with him previously. Doing some painting of flowers and landscape, using the Chinese and Japanese convention as there are trailing rolls of white cloud around. A minute fly a nuisance. He notes there is the possible vendetta locally but he will await events and he has raised the Union Jack, which he thinks people find vastly reassuring. ‘I am gone down to the bedrock existence unadorned, & there, never thinking of the lovely fluffs & frills of life, achieve a bare and barbarous glory of contentment.’

Describes about to leave his camp to winter in Mandalay. Accepts Cynthia might marry another not him. Enthuses about the merits of women but no understanding at all of men. ‘Men, they are a perpetual puzzle, contradiction & delight.’

Living in the Fort, having spent a month of really wonderful camp-life in a high alpine valley. Had good weather there and had collected 45 Rhododendrons and will return in October to collect their seeds. Bought a horse, Ma in Chinese, which has got fat and will only carry him, the Master. States how Jumps [Euan H.M. Cox] is highly companionable, shall miss him when he leaves, but looks forward to the Scottish Derrick joining him in the winter. Jumps writing a novel. Recounts scenes of the coolies from the alpine village doing their folk-dances & songs by the camp-fire - views them as the real thing, real art. The Cook has another drunken bout, and R. Farrer administered justice on the verandah, docking some of his wages, the rupees were thrown away and he, R. Farrer almost collapsed in tears. Speaks of letters from home in the aftermath of the War being sad and glad he had decided wisely to get away. Hopes E. Gye will get away, suggests Peking 1921 to attain care-free-ness. Requests him to supervise Mr Bain to send out useful books, seeks two sets of Winchester Edition of the Divine One, for himself and Jumps.
Camp was in a high-alpine valley, in a beautiful open glade, filled with golden Anemones, beside a babbling beck, with gaunt hungry-looking granite peaks aspiring overhead all round. Derrick [Milner] he describes as 10 feet high, and you want a flight of steps to see his large rosy face! From the batches of letters, he gets a uniform impression of utter failure, of fatigue so acute that it can't fine rest, of disappointment, old age, & general failure.

Invitation to a Bhuddist meeting in response to her request, empathy to her suffering, of her hands.

Celia's letters awaiting him on return from camping where he saw golden anemones beside a babbling beck & hearing black mother bears roaring after their babies among the bamboos. Writes of Celia's daughters marrying, suggests Cynthia one of them, might become his wife, Mrs Me. Suggests Celia will be free to visit him in Peking or Rangoon in late 1920, 1921 to view various sites and shopping together, aware these are lovely fantasies. Enquires about the Beautiful Young Man? [Milner?] Describes how the coolie-porters danced and sang folksongs by the campfire, a genuine art of wild hill people.

Inscription to 'My dear Bill, from RF', 07/02/1917. Photographs by Farrer. Starts in Peking in 1914 and progresses to Mei S'an, Gwang Hui Ssu, Mien Chi Hsien, Hwa S'an, Lin Tung, Satanee, Siku, 'Thundercrown', Jo-ni, then in 1915, Lanchow, Sining, Wei-Yuan, 'Wolvesden Pass', Tien Tang Ssu, Chebson Ssu, 'Creda Rossa' and 'Clear Lake'. Many shots of villages and mountain scenery, including the locations where various plants were found. There are also photographs from Farrer's lone journey south from Lanchow, before he was reunited with Purdom to travel down the Ja-ling-Jang, through the Yangtze Gorges to Ichang.

Box 8: Plays / Dramas by Reginald Farrer, including 'La Reine des Perses' [in French], 20/03/1895, includes poem 'Hymn to Astarte Syriaca', 10/06/1895; 'The Martyr', 25/09/1903-05/10/1903; 'The House of Stark' - various drafts; 'Hearts and Diamonds' - just last Act, but includes Farrer's illustration of 'Lady C'; and 'The Spanish Duchess'.

Box 5: 1919-1920; includes correspondence to family and Aubrey Herbert, 1919 - includes references to Frank Kingdon Ward and George Forrest; telegrams from RJF to his mother, 1919; correspondence to family, 1920; letter from Farrer to Sir Francis Younghusband, 13/09/1920; correspondence from Isaac Bayley Balfour and William Wright Smith of the Royal Botanic Garden Edinburgh to Farrer and family, 1917-1924; general correspondence, 1920, correspondents include Lionel de Rothschild, Postmaster Gye? J.T.O. Barnard, and William Purdom; folder of ephemera including telegram, ticket to Rangoon, diary entry and Burmese travelling times and Regulations for dealing with tribes; copy of Gardener's Chronicle including article by Farrer, 1921-22; notes written by Farrer's mother regarding instructions and dispatches from Farrer; plant / seed lists, including identifications from Royal Botanic Garden Edinburgh; Farrer's supply lists; information relating to E.H.M. Cox, including, copies of few diary pages, maps and letters from Farrer to Cox; and various maps of various dates relating to Farrer's collecting localities.

Box 4: 1916-1918; folder of correspondence, mainly to mother but correspondents also include Aubrey Herbert, E.A. Bowles, William Purdom, Nell Purdom [William's sister], Hugh Faulkener and Italian Legation, Beijing. Subjects include Farrer's operation, John Buchan, gardener's pay, London Air Raid, World War One and Edinburgh. Also, letter from John Buchan, Ministry of Information dated 12/12/1917 referring to Farrer's writing; and folder of documents relating to Farrer's time at the Ministry of Information, 1917-18.