2 volumes of unpublished manuscript produced by Janet Rae in the early 1980s. George MacDougall may have typed the manuscripts. The idea was to produce something similar to a book already published, but it was considered too expensive and that there was not enough demand to publish this one. The manuscript does include illustrations, including at least one original pen and ink sketch by Alan McGillveray, and constitutes a description of Edinburgh's changing landscapes in c.1983.
The accession also includes 2x 2020 calendars marking the Society's 150th anniversary in 2019.
Papers relating to Colonel F.R.S. Balfour of Dawyck, including Correspondence, papers relating to the Rhododendron Conference due to be held in 1939, and papers related to the Landowners' Co-operative Forestry Society Ltd.
Sin títuloGlenarn Garden, Rhu, Dumbartonshire
Owned by the Gibson family between 1922 and 1984, archive consists of:
• Early Plant Book – 1
• Rhododendron Book (Bible / Stud Book)
• List of Abbreviations relating to above two books
• Letter from Jim Gibson to David Ingram dated 24/01/1994 regarding donation of above and history of the Garden.
- letter between F.R.S. Balfour of Dawyck and Archie Gibson, 09/08/1939 relating to Sawyers of Inverewe, silver pheasants, and some informatin on rhododendron - falconeri on the Isle of Man reputedly planted pre-1847 (pre-Hooker) - was it sent by Colonel Sykes c. 1830?
- communication between John Patrick of the Rhododendron Venture and Archie Gibson in 1972 regarding plants from Taiwan and the Rhododendron Venture report of 1971. Both this and the FRS Balfour letter above were donated to RBGE in 1999 by Jim Gibson.
The Jimmy Ratter Archive represents a valuable collection that is of particular interest for the insight it offers into the entwined botanical and social histories of the Brazilian cerrado. The collection is diverse and idiosyncratic, and spans Jimmy’s professional and personal archives. The contents of the collection include correspondence, field diaries, funding proposals, financial records, drafts and edits of papers for publication, lecture notes, teaching materials, scientific data, photographic material, botanical and biological specimens, PhD manuscripts, and original illustrations.
The materials represented in the collection relate to Jimmy’s work in Brazil, including the various conservation projects he was involved in, and the many expeditions and collecting trips he participated in. Other items in the collection cover Jimmy’s early career, his various roles at the RBGE (including his teaching and supervisory roles), and the administration of the RBGE more generally.
Newspaper and paper wrappers from an unmounted collection from the herbarium of Dr. Hugh Francis Clarke Cleghorn.
A box of unmounted specimens from Cleghorn's herbarium and annotated as from ‘Cumbaukum Droog’ [Kambakkam Durgam] was discovered in the basement longstore at RBGE in 2025. It was assessed by Henry Noltie; the specimens were mounted and added to the herbarium collection, and the newspapers and folders used by Cleghorn to wrap his collection were seen as significant enough to be added to the Archive. Henry described the process in a Botanics Story: (right click, open link in new tab) https://stories.rbge.org.uk/archives/40144
The Collection includes manuscript lists relating to the Cumbaukan flora and a journal article cutting, made by Cleghorn, from the 1835 volume of the Journal of the Royal Geographical Society: an article titled an ‘Account of the Ragery Hills, near Madras’ by a Colonel Monteith.
The specimens were contained in newspaper flimsies dating between 1853 and 1859, most of which were placed in covers made of Indian ‘country’ paper annotated with the numbers and names of 20 plant families. Although the specimens were collected in December 1853, the majority of the newspapers date from 1858/9, presumably when Cleghorn undertook some herbarium curation. They are trimmed to uniform size, c 27 x 44 cm – some more or less whole sheets folded, others cut in half (when the titles are often missing).
The newspapers are of considerable interest, assuming that they were subscribed to by Cleghorn, rather than bought as scrap paper. Two certainly were his as they are inscribed with his name, title, and address while on tour as Conservator of Forests in Salem and Ooty. These tell us something about his reading habits and suggest a great thirst for news both Indian and from Britain. Also used was also a pamphlet advertising a Madras ‘Periodical Horse Mart’ revealing a previously unknown, though unsurprising, interest in horse flesh; and proof that he subscribed to the Gardeners’ Chronicle, suspected but previously unproven. Of the Indian newspapers was one published in Bangalore (The Bangalore Herald) and seven in Madras (Madras Circulator, The Commercial Gazette, United Service Gazette, The Athenaeum, The Madras Times, The Madras Spectator and the official government Fort St George Gazette). Of those published in Britain the largest number of sheets are from The Overland Mail, with smaller numbers from four others (The Indian News, The Morning Herald, The Record and The Examiner). There is also a single half-sheet from an unidentified Fife newspaper to show that he kept up with news from Scotland.
The articles in the papers dating from 1858/9 are of particular interest, with many articles discussing the aftermath of the Indian Mutiny. Interesting though the ‘news’ items are, the papers are equally intriguing for the advertisements and aspects of social history revealed. described here are only a few items that were noticed while cataloguing the plants: a meeting of the Madras Photographic Society attended by Sir Walter Elliot (6 April 1858); the opening of the organ by William Hill in St George’s Cathedral (13 September 1858); stained glass fanlights for the cathedral designed by Archibald Cole, Professor Fine Arts in the Madras School of Industrial Art, made by Nathaniel Wood Lavers of London (later Lavers, Barraud & Westlake) (21 January 1859); an advertisement by J. Deschamps offering three pianos by Erard (1 mahogany grand of 7 octaves; 1 mahogany grand square of 6¾ octaves; 1 rosewood cottage of 6¾ octaves) and 1 mahogany grand square by Broadwood (May 1854); J.J. Fonceca & Co offering ‘Likenesses either in Oil, Water Colors, or Crayon … Landscape and Cattle Drawings … charges so regulated with a view to place their services within reach of all (21 January 1859); an auction by Oakes, Partridge and Co. offered a by then very old fashioned ‘square piano by T. Tomkison, in good order’ (6 July 1853).