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1 tube containing 2 certificates: Gill Memorial, May 1920, from the Royal Geographical Society; and South Kent Liberal Association, certificate of condolence after Ashford election, 1910.

The albums appear to be from William Purdom who travelled and collected plants with Reginald Farrer in Kansu / Gansu, northern China in 1914-1915, but one was compiled by Reginald Farrer and three relate to their collecting trip, so all 5 albums have been stored within the Reginald Farrer collection.

Inscription to 'My dear Bill, from RF', 07/02/1917. Photographs by Farrer. Starts in Peking in 1914 and progresses to Mei S'an, Gwang Hui Ssu, Mien Chi Hsien, Hwa S'an, Lin Tung, Satanee, Siku, 'Thundercrown', Jo-ni, then in 1915, Lanchow, Sining, Wei-Yuan, 'Wolvesden Pass', Tien Tang Ssu, Chebson Ssu, 'Creda Rossa' and 'Clear Lake'. Many shots of villages and mountain scenery, including the locations where various plants were found. There are also photographs from Farrer's lone journey south from Lanchow, before he was reunited with Purdom to travel down the Ja-ling-Jang, through the Yangtze Gorges to Ichang.

Inscribed 'J. Purdom, from C.H. Hough, Xmas 1912. This appears to be from Purdom's first expedition to China between 1909 and 1912 and covers Peking, Amdo and River Tow in Tibet, Jehol, Peling Range, Kansu, Choni, and pictures of people and places, including one of Purdom himself.

A compilation of photographs of Tibetan and Kansu people and scenery from both of Purdom's Chinese expeditions, 1909 - 1915. Many of these photographs appear in other albums.

Photographs recording Purdom's work as Advisor of the State Forests for the Railways. It shows Kwang Shan Po Forest Station, Chi Kung Shan, the selection of a site for establishment of forestry nurseries, the Hsi Ling tombs, Li Kia Chia, the survey of the Kalgan Railroad for afforestation, and ends with some shots at the railway station during the 1920 famine.

A small collection of photographs, some dated 1912, many taken in Peking. They include Purdom with the Commercial Attache to the British Legation, Sir Alexander Hosie, and include images of W. Christie with Mission children. There are many undated photographs of Purdom on expedition in Kokonor, Shansi and Honan.

Pleased to get letter from Ernest Gye, nickname Poison - shared letter with Jumps [Euan H.M. Cox]. Speaks of the restless desire to impress & seeks gossip of English friends. Ernest writing of going to Tangiers. Describes at length he and Jumps picking raspberries to make jam, concoction insipid. Then reverted to making better jam with wild white strawberries. Writes of Jumps as youthful, unlike him who is becoming of crabbed age. Describes how a brace of young boys, Gurkhas have joined their camp. Painting primula in a tent, through a dense fog of midges and smoke. Requests from Ernest to purchase 2 or 3 Everyman volumes of Floris's Montaigne, delights in the first one. This letter is signed your loving Poppet. Jumps cooking until the Chinese cook has recovered from his cliff fall. ps Gossipy enquiries and comments. Encouraging E. Gye when writing, to be thoroughly indiscreet and viscous. Speaks of his own return to a de-Poisoned London. [Poison = E. Gye] Describes the place abounding in the most preposterous brambles - titanic wilderness of thorns, beset with raspberries in almost every colour & degree of nastiness. Wondering if Jumps [Euan M. Cox] is like all Scotch lower (or middle) class minds, are alike in a sort of Jackdawish unassimilating appetitiveness.

Writing to "Sweet Poison" [Ernest Gye] as resting after a ten days' trek searching for a hypothetical Rhododendron during which it rained relentlessly. Feels rudderless and needing the anchor of wedlock then swings away from this idea. Fed up with some Captain staying with Jumps [Euan H.M. Cox] and him who talks endlessly -Farrer states his ages makes him less tolerant, loses patience and ridicules him for being five-foot-nothing. Soon to go down to Htawgaw then a month's camping in a high-alpine valley which he hopes will be profitable and amusing. Complains of lack of art, architecture and antiquity in this country. Writes of the beauty of Nomocharis pardanthina, like a pink lily with a spotted Odontoglossum all over the alpine meadows, asks Ernest Gye to experiment with its seed.