Showing 33 results

Portrait of Jacques Balmat wearing a navy jacket and purple waistcoat in a circular, ageing stone frame; beneath is an old ledge under which is a old, cracked, inscribed tablet supported by two wooden bars; an axe and a broken spear cross each other beneath the portrait; foliage grows around the whole structure. Source: British Museum collection, where additional copies are held. https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3308021&partId=1&searchText=Balma&page=1
(Box 3)

Monochrome print of Louis XVI, Queen Marie Antoinette and Louis XVII (the Dauphin), pictured in a circular frame above a marble stand containing a vase and various plants. The picture itself has been cut from a larger image and mounted on another piece of paper. The picture is in a black and gold painted wooden frame with a glass panel.
A similar copy of the portrait is held at the British Museum: https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3523963&partId=1&searchText=Louis+seize&page=1
(Box 4)

Print of Marie-Anne Charlotte Corday entitled, 'Marie Anne Charlotte Corday, ci-devat Darmans Agée de 25 ans'. Portrait of Charlotte Corday, half-length, sitting at desk in her cell, holding a letter to her parents; in circle, with below a small figurative scene showing her assassinating Marat in his bath-tub. The portrait is in a black and gold painted wooden frame with a glass panel.
Another copy is held in the British Museum collection: https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3599824&partId=1&searchText=Massol&page=1
(Box 4)

Portrait of Michel Gabriel Pacard in a circular frame; beneath is a ledge on which is an engraved plaque; beneath this is a picture with a view of Mont Blanc in a gold frame; foliage and pink ribbon decorate the structure.
Etching with hand-colouring. Source: British Museum collection, where copies of this portrait are also held. https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3308005&partId=1&searchText=Pacard&images=true&page=1
(Box 3)

Third edition of The Pilgrim’s Progress by John Bunyan, published 1775. Inscribed with the names John Murray and Thomas Blaikie on the frontispiece. (Box 2)

One green vellum bound notebook containing accounts for customers arranged by surname. A number of pages have been removed. The earliest entry is January 1789 and latest is June 1822.

Contains a loose handwritten note compiled in 2003 detailing the missing pages and method of their removal and noting that it was faxed to Pat Taylor. (Box 2)

The collection dates between 1769 and c2003 and comprises:

• 3 notebooks including financial records, language studies and diaries;
• 17 pieces of correspondence and handwritten notes;
• a printed compendium of Swiss flora;
• a copy of John Bunyan’s Pilgrim’s Progress;
• 4 prints of notable 18th century French figures; and
• two photographs of items which belonged to Blaikie's family.

Green vellum file, annotated ‘Claims upon the French Government by Thos. Blaikie’, containing 17 handwritten letters and notes by and to Blaikie, mainly in relation to losses incurred during the French Revolution. These include correspondence with the Office of Commissioners for Claims on France, James Lee at the Hammersmith nursery and the Foreign Office. The papers date from 1791 to 1890. (Box 1)

Diary covering the period 1775 to 1781 including an account of a collecting trip in the Swiss Alps and a list of plants collected and sent to Fothergill and Pitcairn from Bourdigny in November 1775. The first page has been cut out.

Contains a loose and undated handwritten note in English and French on particular dates and points in Blaikie's life including residence, age and date of death. (Box 1)

Vellum bound notebook including notes of French lessons, lists of accounts, housekeeping expenses and an account of events from 1781 to 1792. (Box 1)